RHA T20 Review
Thanks to RHA for the sample.
First Impressions: Well my first
impressions of the T20 took place waaaay back at Canjam. My instant
notes made there and then are up in the Canjam impressions thread if you
care to go hunting. The main take away was, oh yes baby, these right
here these are what the T10 should have been. Hells yeah!! These are
looking to be top tier contenders. Certainly they look the part, they
are maybe in my opinion the best looking IEM available right now. Mind
you there are a few other stunners and looks can be subjective but
surely no one looks at these and thinks they don’t look impressive?
In the ears and I’ve left the “Reference”
filters on them. There is a good chance I’ll swap to the “Bass” ones
shortly and never leave them but that’s my personal preferences
showing. These things as are, are bloody good. These are the 750 but
better, lots better. It’s safe to say right now these are one of the
best IEM’s your pennies can buy, the only thing in doubt is to quite
where exactly they slot in-between. It’ll be near the top I know that
but it’s becoming a crowed area, sigh, I think there may be much
swapping about, and then the filters. Urgh this is gonna be much work
isn’t it.
Source: Hisoundaudio Studio V 3rd Anv., FiiO E7/E9 combo, HiFiMAN HM-650, Nexus 5 and FireyeDA.
Lows: Squeeee!!!!! Regulars will know
I’m not a bass head. It’s not like I hate bass, I like it, I like it
rather boosted too, just not insane vomit inducing levels (TFTA, yeah I
mean you.) So here with the “Reference” filters on and they are
awesome. Swapping to the “bass” ones and they are a boosted though I’m
not instantly loving and preferring like I thought I would. It seems a
little deep bass boosted disproportionately to the middle and upper bass
region. The trouble also get muted with is what I expected to happen
and the air is a little sucked out of the mids. Not that it’s bad just
it’s more of a difference than I anticipated. Bass filtered its big,
hearty and the bass warms up, takeing on a tiny hint of softness and
smooths. Reference, its more ridged and marble like. God I rather like
both, they are fantastic to the point I can’t bare to unplug myself
from the Solo Ultra, Cyndi Lauper’s rendition of “Don’t Let Me Be
Misunderstood” is amazeballs good. So delicate and soft then it roars
to life and tears your face off, squeeee!!!
Okay with the Bass filters it’s actually a
bit much bass. It’s not compared to some crazy things. It’s up
nearing the level of the IE8 except the IE8 sound flabby and slow beside
it. Yes the IE8 sounds relatively flabby in the bass. I’m not saying
one is “better” than the other they are differently styled. Here we a
visceral impact, like being slapped by the missing marble hands of the
Venus de Milo. Graceful and delicately sculpted but as unyielding as it
is beautiful.
Mids: Bass filtered it’s a little
enclosed and has a little bit of air sucked out of it. Reference in and
it opens up notably, space, free open air and even more so with the
ultra-sparkly Treble filter. Argh I find myself agonising between the
Bass and Reference as to which I like more. The Reference is arguably
the more tonally perfect but then I like the darkened hint the Bass one
gives. Either way they are very clean and articulate. Rather
unforgiving too and their rigidity makes them not super suited to soft
and laid back vocals. It wants to be clean and precise as is the nature
of its ultra-precision manufacture. Its unyielding, metallic, machine
like lack of give. I find its tonality to be near perfect but it does
now and then feel a little artificial and metallic. The faintest grace
and beauty at times is subsumed by a digital accuracy. Most however was
stunningly accurate and pleasing. Nora however just wasn’t pairing
well.
Guitars, they twang with an almost
cutting edge, such clarity and bight to them they feel super explicit
and detailed on the first edge yet trail wonderfully and naturally.
Maybe a little unfeeling but I can’t fault its cleanliness.
Quantitatively they vary as your expect
with the filter in use. The Bass one is bass heavy, then the mids then a
little reduced treble. The Reference is more or less even. The Treble
is slanted the other way from the Bass. Mids however do dry and open
up with the lighter filters. With the Treble a little too open and airy
perhaps. They still rock with all the filters. Wonderful tonality and
timbre.
Highs: I’m kinda treble sensitive so my
time with the treble filter was minimal. Not that there was anything
work with it, it was just too much more my preferences. Extension
though feels practically endless. Super, ultra-mega clean too. Perhaps
a little too hyper accurate metallic. Even with the bass filters its
tonality is just so awesome. The only issue is its accuracy and bang on
metallic reproduction means it can be extremely unforgiving. More than
once with a badly mastered track the treble was grating on my ears.
This was highly, highly noticeable with the Studio V, oh god a badly
mastered track on the there can get savage on the ear.
Otherwise the treble is exquisite.
Dynamics do the best treble in my experience and that here is among the
best. I’d still maybe at a push give it to the IE8 as being the more
refined and with its less explicitly crisp nature favourable to my ears
but still, the T20 is right up there as simply one of the best, most,
dazzlingly talented trebles out there. Just bare in mind it’s not got a
forgiving nature.
Soundstage: Very good. Of course having
been comparing to the IE8 it’s clear it’s not on that level but it’s
still a very grandly scaled soundscape. The dry airy metallic nature on
the Treble and Reference makes them feel so open. The bass is more
enclosed but your still talking a large room. Placement is fine but it
does rather better in integration, one big driver doing everything tends
to make things seamless. They are big and powerful things. Just don’t
hope for endless distance.
Fit: Great. The ear guides didn’t get
in the way. Sadly they are built in so you can’t take them off but they
are pretty good, for me anyway. No issues.
Comfort: Great. With a good fit
comfort tends to follow and their shape fit my ears perfectly. Despite
being metal and thus rather unyielding they never had any pressure
points.
Cable: If it ain’t broke don’t fix it.
The Cable from the T10 and 750 is replicated here and it’s an awesome
cable. Its rubberised texture though can sometimes pull if it catches
between jumper and jacket but that’s my only issue. It feels super in
the hand and it looks super too. Then the Y splitter and jack, just
look at them, they are just outstanding. One small point of note, the
cable here is more of a charcoal black rather than the grey previously
seen, I liked the grey one better.
Build: They are made by heating steel up
to 1300 degrees Celsius and injection moulding them. Part of me thinks
that must be overkill, they are earphones after all do they need to be
constructed so as to be so utterly indestructible? Probably they don’t
but wow, they are serious little beasties.
Microphonics: It was fine for me, you
pretty much must wear them up which is fine with me and for the most
part removes the issue. They is a neck synch if you do get any though.
Amped/Unamped: Weirdly while I found
that I was consistently having to crank the volume dial, you’d expect
that they demand an amp. Thing is they don’t, not really anyway. They
still sounded great out of my crappy Nexus 5. The treble took a beating
in quality and quantity but it was still very good overall. With more
power you get noticeable improvements to speed and solidity so I would
always say if you have an amp, or good DAP then please use it to get the
very best from the T20 However…….if all you’ve got is your crappy phone
you’ll still find the T20 to be excellent in the meantime, until you do
get yourself a nice amp for them.
Isolation: For a dynamic they are really
good. They are practically pushing at BA levels of isolation. So as
ever easily good enough for out and about or bus journeys. At a push
you could cope on the Tube or for long flights but not my first choice.
As ever my warning, do look where you’re going because you won’t hear
deadly traffic sneaking up behind you.
Accessories: RHA offer an amazing
looking package don’t they? That tip holder thing, it’s just so
impressive isn’t it? You name it pretty much and you get it, tips
galore including their own foamies with I’m rather a fan of, shirt clip
you’ll never use, filters and filter holding thingy. Then we come to
the only downer, the case thingy. It’s not that its “terrible” but the
rest of the bundle is so fantastic it just doesn’t feel like it
belongs. I’d actually rather have the little hard case that came with
the MA-450’s I believe. Actually what I’d love to see is an imitation
TF10 case, you know the one that was supposedly titanium, that’s the
kind of case these deserve to live in.
Value: Well can one ever say that any
earphone costing £180 is good value? One could look at it beside
something costing £400 and say this is practically the same level yet
half the price so therefore must be great value, yet you can find
something half of its price and say but that is nearly as good therefore
it must be rubbish value. Fact is at this kind of level “value” stops
meaning much. What we have here is a top class IEM that is top tier
stuff, it costs at the lower end of top tier money yet has insanely
crazy good construction and a great warranty. I’d say that all adds up
to good value for a product of this level.
Conclusion: The T10, I think it’s not
really a secret that I didn’t love it. Actually a lot of people didn’t
love it and thus around Head-Fi the MA-750 was the RHA that would be
recommended as the “best” offering from them. The 750 was great, is
great and the T20 is the next step, a fairly big step too, up from it.
The T20 is awesome.
I know it won’t be entirely for everyone
as at this level it’s all about personal preferences and while the
filters may alter things about there is still a crisp metallic nature to
the treble especially. It has an edge and while it may quickly turn
into a shimmer (quite beautifully in my opinion) it still won’t be to
everyone’s tastes. Honestly we currently spoiled with an assortment of
wonderful IEM’s to choose from at this level, and while I most
immediately mentaly jump to the IE8 and the DN-2000 I really cannot say
that any of them is “better” than another. They are all exquisite, they
just are differently flavoured.
So
should you buy a pair? Well if you have the money, yes. It would
impossible for me to categorically say pick these over the 2000 or 8 as
each person is different and will want different things. However I
cannot for an instant see anyone buying these and being disappointed.
They are joyous and symphonic little buggers that when amped can move
like lightning, with such articulation and power. That bass especially
is amazingly capable, so much fun too yet never overwhelming or
suffocating. The treble too is especially skilled. Its timbre and
tonality with metallic instrumentation is just so perfect, soooooo
perfect. Its acoustics are every bit as wonderful as the thing looks.
Love it!!!
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