Tuesday, 13 March 2012

EXS X10 Quick Review


EXS X10 Quick Review

Thanks to Frogbeats for the sample

Brief:  Siren does airy and trebly

Price:  £57

Specification:      Driver Type: Balanced Armature, Noise Isolation: 26 dB, Input Sensitivity: 105 dB SPL/mW @ 1kHz, Impedance: 29 Ohms, Input Connector (plug): 3.5 mm, I type,     Frequency Response: 20 Hz ~ 20 kHz (-10dB), Cable Length: 1.2 m/Balanced Type,  Weight: 10 g

Accessories:  1 pair of double tip tips, 2 pairs of A type tips in 2 sizes, 2 pairs of B type tips in 2 sizes, 2 pairs of C type tips in 2 sizes, 1 pair of XS tips, 1 carrying case


Build Quality:  Great, I loved the jack and the cable was lovely and flexible yet sturdy feeling.

Isolation:  A bit so so for BA things but still easily enough for normal day to day usage.  Not what I’d want for a long flight but still better than pretty much every Dynamic out there.  Certainly enough to turn you into road kill if you don’t watch where you’re going.

Comfort/Fit:  Fine but they really didn’t want to sit as deeply as I wanted to push them.  Once I gave up trying they were fine but never quite melted away like the best can.

Aesthetics:  White and pretty noticeable.  They do come in black too but I can’t imagine there is anyone who will look at either and love or hate them.  They are not particularly visually interesting.

Sound:  Fantastically enthusiastic.  These about with energy and boundless enthusiasm.  They don’t have a tow end quantity some may want but the quality is fab and has an impressive punch fro a single BA.  The mids are wonderfully clear and open.  Rather dry but so expressively open and forthright.  They do have a little too much energy up top and sometimes a lady can be a little too enthusiastic and attention grabbing.  Not quite shouty and thankfully never sibilant but too piercing.  The treble has rather a great deal of energy too, a little too much maybe.  Thankfully it’s not hard edged and it can decay and shimmer really well for a BA.  These really make me think of an Ety that’s out to party and has taken way too much caffeine.  Fabulous clarity and outstanding instrument separation but somewhat unable to calm itself down.  Too much enthusiasm all the time which will either drive you crazy or you will adore it.  It is a wildly fun and bouncy IEM so maybe not the one you want if you listen to smooth relaxing music.  It can’t really do it.  If you just want energetic stuff then its a bucket load of bounce, especially if you give it a bass boosting amp to partner up with.  Fun, fun, fun whether you like it or not.

Value:  Fab if you want that sort of sound.  Super fun all the time with a clarity that pretty much spanks any comparably priced Dynamic.

Pro’s:   Fabulous fun, superb instrument separation, super clear open sound.

Con’s:  bass quantity isn’t vast, upper mid and treble energy is a bit too much, can’t really play nice with the relaxing stuff.


EXS X10 Review




EXS X10 Review


Thanks to Frogbeats for the sample





First Impressions: Okay I just love the case, it’s a felt outer that I know is going to soak up fluff but oooooh it feels pretty. One of the nicest cases around. I have a white pair and I’m never wildly keen on that, why do people like white buds? God knows. Nice selection of tips going here too. Tbh I’m struggling for things to say, it’s just not that interesting or exciting aside from the lovely case.


First listen though and that all changes, I’m going to wager right now this is going to be an overwhelmingly positive review. These are light, crisp and super enthusiastic and yet stupid cheap. Hmmm maybe they are too enthusiastic? Time for a little burn in, they are BA but for consistencies sake away they go.





Source 1G iPod Shuffle with a 75 ohm adapter added and 5G iPod Video line out through a Practical Devices XM5 with LM6171 opp amps


Low: If you’re a bass head then these wont be for you. They are single BA drivers and they just cannot move a large amount of air. Thank fully they don’t really try to either. As the use of the Siren Armature inside these has proliferated many companies have had a bash to tuning them for a more consumer orientated sound, i.e. they have wacked up the bass levels. While many may like the bigger bass they never really compete with dynamics and here EXS haven’t bothered to try. They have accepted it’s a BA and they have tuned it to play to its strengths and it really shows. The bass response is rather limited in quantity; it doesn’t really go too deep either. It can do deep enough but the quantity means it tends to be somewhat overshadowed too. Where it does impress though is that its super tight, super clean and super punchy. It has such wild enthusiasm and energy, the speed with which it can function is really impressive. In some ways this is a bit of a problem as it just doesn’t want to do anything slow and mellow. It wants to party and punch its way through a song, great if its popy, bouncy song but more relaxed things not. The bass here can’t move the air it needs to do rich and mellow so it constantly tries to move to fast and punchy. This just doesn’t suit the slow stuff at all.


If you don’t mind its desire to go fast then the low end here really is a bundle of fun. Just so long so you don’t need lots and lots of it.






Mids: Dry, airy, energetic and enthusiastic. The mids in terms of quality are super impressive. The Siren armature has long been a favourite of mine in things like the PL-50 but here they have taken all its best qualities and gone for the opposite tonal quality. Where the PL-50 was smooth and luxuriant the X10 is airy and dry. The energy levels too have been dialled up a little despite the 50 being a little more forward. The mids on the X10 are rather prominent too with fantastic level of clarity and detail. They however like things to be fast passed with a tremendous sense of enthusiasm. They want to have a party and need things to go a little quick or they just feel out of place. These want to go fast, they need to go fast. It’s not to say they cannot do slow songs but they yearn so for something quicker that I repeatedly find myself hitting next track until something more sprightly comes on. Oh and they just love you cranking up the power too. The more power you can throw at them the better.


They do have a tinge of extra energy in the upper mids that really ought not to be there but that just emphasises their enthusiasm. It does mean that particularly female vocals really pop out at you. I can see some people not loving that but I think its fab. They are so clean and forthright as only a good BA can. Love it.





Highs: I think this is one where you will probably want to go get a set of Comply’s. There is no way around the fact there are little trebly happy. Slap on a little Owl City and I find myself reacting for the volume dial. The wildly abundant energy and enthusiasm these have becomes a little too much for my delicate little ears. They don’t really have much of a hard aggressive edge to them but the energy is just too much. The Comply’s tone it down a touch and with the rubber tips I found it unpleasant at times if playing too loud. Extension wise they don’t really go as high as I’d like but they are capable of doing a really good attempt at a natural like decay. They lack of aggressiveness combined with the energy means a cymbal can trail off rather well in the slower songs. It’s not perfect but for something so cheap it’s good. The trouble is that the energy can be overwhelming in the fast stuff. If you get a particularly treble heavy song then it really begins to dominate. The bass is the first to be overshadowed but that can always be filled back in with little go on the bass boost button on an amp. Out of the little Shuffle 1G itself this want an option and at times the bright source and bright IEM was too much for me. However if you had something warmer like the HM-601 then things were much more tolerable.


Overall I cannot fault its quality but it’s a bit abundant and a bit too enthusiastic at times.





Soundstage: These never took on a grand sense of scale but they do offer up a wonderfully airy presentation. Lots of air and great instrument separation but you’re never going to mistake these for a pair of speakers. The instrument separation is very impressive and about the best I’ve heard for a single BA.


Comfort: Hmm, fine. I cannot say these ever melted away but they were never uncomfortable either. They have a large nozzle and I just always wanted them to sit deeper than they really wanted to.





Fit: They really weren’t the best shape and they didn’t particularly want to be worn up. Still they were okay if maybe they stuck out a bit. In term of getting a seal it was okay but I didn’t like how they wanted to sit so shallow.

Cable: Very nice, the jack was great and the cable was super flexible. It was very light too and I absolutely cannot fault any aspect of it. Hmm maybe it could have done with a neck slider but otherwise its first class.



Microphonics: Even worn down there pretty much nothing. This is thanks to the cable with as I said was just great. Worn up there was nothing at all.

Amp/Unamped: I have already said that these like power. They didn’t like impedance though as it just savaged the low end and did little to improve anything elsewhere. In short I wouldn’t bother with it. Moving up to more powerful players now that it did like. It particularly liked the FiiO E9, just loved it. So open, so expressive and so super enthusiastic. Much fun was had I can assure you.




Build Quality: Very good. I really couldn’t fault anything. Everything looks and feels first rate.


Isolation: With the rubber tips on it was okay but somewhat improved with Comply’s. It also varied with how deeply they were shoved in and since they have larger nozzles they didn’t want to go too far. Not really up there with the best BA stuff but beats pretty much any Dynamic out there. Easily enough for normal usage and to make you road kill if you don’t pay attention to traffic.


Accessories: You get a good selection of tips but really the best thing is the case. It’s a great little case. Sure it’s a fluff magnet but it does the job superbly, looks great going it and is such a convenient shape. Top marks.





Value: I have been told they shall come in at £57 and id buy them at that. Of course I might be inclined to go with the PL-50 for that money as it very much suits my tastes with its buttery, creamy sound. I know that’s not really a flavour that suits everyone and certainly doesn’t play ideally for all types of music. It never comes to life with the energy and enthusiasm the X10 can. The X10 is so much more popy and dynamic, somewhat like an ety out to party. Compared to the RE-0 it isn’t the most accurate or detailed you can get for the money either, the 0 wins there but it doesn’t have the fun or enthusiasm that the X10 brings. Its bouncy, lively and fun. Don’t forget you can give it a FiiO friend and boost up that bass level too to turn it into a real party IEM. Lots and lots of fun with BA accuracy for a pretty fine value price. Like I said I’d buy one.





Conclusion: When I get something I normally have a look round at what reviews and things people have said about something. Usually things match up pretty well and you can always tell certain reviewers react in certain ways to particular attributes. The only thing I really found about these was by Shigzeo, what shocked was that it was dated 2010! How have I not really heard about these before? His review summary on Head-Fi got not a single comment. Was it posted then simply ignored by the world? I fear that in this case the world missed out. The X10 is a prime example in my opinion of what a BA driver can do. It’s not going to be all things to all people and it cannot move a ton of air so it doesn’t try. It has a decent low end quantity but mainly it focuses on the aspects it can do well. That namely being the quality. Not to name any names but some makers have taken the same driver and tried to max out the bass at the cost of the places where it shines and believe me this shines. Maybe it shines a little too bright and a little too energetically. It has an abundance of enthusiasm and exuberance that I find to be wildly fun but for me it’s a bit much all the time. I like a bit of calm now and again and this just wants to play with hedonistic abandon. It’s like it’s had one too many vodka and Redbulls. Yes its fantastic fun but just so brim full of energy it really struggles to do boring and relaxed.


None of that of course is a bad thing it’s all just a choice and it’s an enjoyable one. Super fun and only gets more so if you toss in a bass boosting amp, punchy, lightning paced bass. Super clear, airy open mids and fab shimmery highs. The only down point is the energy level in the upper mids can be a touch too much at times. It may make for a tremendously lively sound but for me it’s too lively for all day every day. Granted I have a ton of IEM’s so I can swap about taking whatever suits the mood I’m in but I realise this isn’t what normal people do. I’m not sure I could live with this level of enthusiasm all the time. It has far more energy than I do, it just wants to have a good time and party. Not something to sit quietly in the library with.


So while I’m being a grumpy old man and protesting at their inability to do boring I cannot help but find them to be bucket load of fun. Popy, bouncy, frenetic fun. Just so long as you pair it with a non bright source and maybe even give it a bass boost then it may be the most lively BA IEM around. Certainly the most lively single BA driver. It’s party time in treble town and the EXS X10 is going to drag you there forcing a smile to your face or drive you mad with its relentlessness.

Monday, 20 February 2012

Westone W1 Quick Review

Westone W1 Quick Review


Thanks to Advanced Headphones www.advancedheadphones.co.uk for the sample (AMP3’s sister site)


Brief: Westone aims for the consumer market


Price: £84


Specification:

Driver Unit Balanced armature, full range

Ear coupling Intraaural (in-canal)

Frequency Response 20Hz -16 kHz

Impedance 30 ohms @1kHz

Input Connection 3.5mm Angled

Max. Power Input 40mW

Microphone (w/a) N/A

Noise Isolation Passive - Up to 90% of ambient noise*

Sensitivity 117 dB SPL/mW @1kHz


Accessories: Deluxe travel pouch, Ten different eartips, 1/4 to 1/8-inch jack/plug adapter, Inline volume control.

Build Quality: First class.


Isolation: Very good. It may not be quite up to the best but its really rather close. Easily enough to let you survive air travel or Tube use. Alternatively enough to turn you into a stain on the road if you aren’t paying attention. Be warned you won’t hear traffic coming at you so look where you are going.


Comfort/Fit: First class. They are small and well shaped. They have a good assortment of tips and I don’t know of anyone that has problems with this sort of thing. Of course you may be that one but odds are you’ll be fine.


Aesthetics: They are okay, perfectly acceptable but I can’t say I give a toss either way. Not unattractive but not particularly pretty either.


Sound: These are a BA that has like many before it been tuned to behave a bit like a dynamic. While I’m never a fan of this sort of thing Westone have done a pretty good job of it, probably better than anyone else. It still means it’s a bit of a hodge podge with not quite the best of either but it makes a very capable generalist. Very capable. Lows for a BA are great in reach and expansion, it’s no SE215 but hey ho. Mids are detailed and tonally in the middle, happy to do liquid or dry with equal enthusiasm. Highs are detailed and very gently roll away so you don’t notice when they fail. It works very well and means you really only see the bits they just right. It’s clearly been tuned by someone rather capable. What is notable is the instrument separation, it is excellent. Much better than I’d expect for a single BA at work. Mostly these don’t really excel anywhere but they do a very good job at everything, a bit of a jack of all trades but a rather good one. Oh and they looooooove getting amped.


Value: Well for your £84 they are in no area the best you can get but they don’t suck anywhere either. Like Ety does highs, the 215 does lows, the PL-50 does mids. The W1 does a bit of everything so you could probably get away just fine with only having it and being pretty happy. I like lots earphones so maybe it’s not really for me but if you’re a bit more of a normal person and want to just have one this is a pretty fine option.


Pro’s: Great all rounder, great brand name, comfy.


Con’s: You pay for that brand name, isn’t the really the master of anything in particular

Westone W1 Review


Westone W1 Review

Thanks to Advanced Headphones www.advancedheadphones.co.uk for the sample (AMP3’s sister site)




First Impressions: This is a little thing I’ve been interested for a while. Westone is one of the big and old names in the IEM world, still the W range is their first venture into a consumer orientated product. Visually once I’ve got them out their quite nice box they look just like baby versions of the W4’s I have. It’s spooky. Oh and Westone please can you start including some Shure Olives in the box (the black foamie type tips Shure make) I know you give a few types but they are what works best for me and I bet many others too. Nice case.


Having a listen I can’t decide if I’m happy or not. Clearly these are not the W4 but I just don’t know what it is I was expecting from them. These feel quite middling.





Source: Mostly the 1G shuffle without the impedance adapter and some time with the HM-601

Lows: These are Balanced Armature earphones and as such they do not move air like the more common and cheaper dynamics can. They don’t do the rich rumbly lows that is particularly common in the cheap stuff and its quite possible that a product like the W1 is going to be the first BA product for someone as they begin to enter the world of good earphones. So if that’s you be prepared for a significant decline in the amount of air that’s being moved in your ears. Moving air is not what BA do well. So as I could have guessed would happen these have been tuned somewhat to give more a of a rounded and low end sound (for a BA anyway) and for me, meh. It’s not giving good impact, nor good depth or expansion. I’m really not keen on this style as it tries to make the driver do something its not really intended for and it sacrifices its best qualities. Still it is a pleasant sound and when pressed it does very well in the low end for a single BA. I’d say one of the fuller sounding ones but it doesn’t compete is fullness with dynamics like the SE215. It also really isn’t up there in speed either like the hf5. It’s a halfway house compromise, which I can’t fault if you’re to only have one earphone. A bit of a jack of all trades, good but not great.

In terms of quantity it’s a pretty balanced IEM, the bass is about on par with the mids with it tailing off a bit as it goes lower. Low extension is better than you might expect for this type of set up.




Mids: Nice but nothing exceptional. BA’s tend to shine in the mids but it feels as though the W1 has been tuned to flatten that out, dampen down the mids and boost the lows and highs so they all fit inline. To me that always feels like holding back something’s strengths but I can see a case for it. The mids here are somewhat like the mids and neither too much one way or the other. So no butter like creaminess of the PL-50 or cool dryness of the hf5 but something that again sits in the middle. Honestly I can’t say it moves me, in fact I find it a bit boring. Yes it’s very capable and can turn its hand to all styles rather well but it never seems to find a style to make its own and run with it. Sure this makes a good generalist, good if you’re only going to own one earphone so I can’t really call it a failing. It’s a stylistic choice. Still side by side with the hf5 it falls short in its raw abilities, not hugely far but it’s not top.



Highs: Here again they aren’t the best you can get but they do a pretty decent job of things. They aren’t beating the hf5 again but they are pretty gentle on the ear and sound accurate. They sound very accurate actually. Sure they are missing out on a quite a bit of detail but they roll of gently so that your really aren’t terribly aware of what’s being muddled. Westone have a lot of experience at this from the long running UM range but they have opted to be a bit less so here. They have a struck a very nice balance between rolling off and smoothing to still retaining some shimmer and detail. Again it may not be the most excitingly tuned IEM out there but the highs are nicely detailed and nice to the ear. Extension is pretty fair too and the roll off is gentle so you don’t really get that sudden and noticeable drop off you can with some BA stuff. Timbraly they are good too, rather good for a BA if not quite up to the wonder that is the RE-0 in the highs.



Soundstage: It pretty reasonable, again it feels on the bigger side for a single BA but it’s not really quite up there with dynamic stuff. Still its middling nature means it works pretty well with everything weather it’s supposed to be intimate sounding or large. Where it is pretty good is instrument separation. This seems to be a Westone specialty and it comes through here. For a single driver it is quite impressive and instruments are clear and distinct from each other sounding well separated.

Comfort: Very. Naturally I can’t promise the same for you but these were very comfortable and this shape of earphone is known for being so. I have never yet seen anyone have trouble with these. Their shape, small size and wide range of available tips means I’m pretty sure these will fit everyone comfortably.

Fit: Once you get a tip that works for you then it’s just a case of shoving them in and that was that. No muss no fuss.




Cable: It would appear to be the same high quality cable Westone have used for ever. Its black, braided, highly flexible and rather sturdy. It’s a great cable that has been around for years so I’m sure it’s been tweaked to survive well by now.

Microphonics: None. You have to wear these up anyway.

Amped/Unamped: Now most of the testing I did I did with the Shuffle, then some with the HM-601 as to me these seemed the likely type of players these will be used with (that I have anyway) rather than with separate amps. However for convenience I also used the FiiO E9 hooked up to the computer. Oh my, there was a difference, these instantly jumped up at least a level in quality. Now clearly any desktop amp isn’t where these will live all day but the difference was pretty large. The addition of impedance that I’m usually so fond of however wasn’t so great. It did remove the hiss from the Shuffle but it really muted the instrument separation with not much gain elsewhere. Unusual.




Build Quality: Top notch, I’d expect nothing less form a premium brand like Westone.

Isolation: Westone only claim up to 25db but that seems on bit on the low side to me. Granted these aren’t quite up to Shure levels and so a bit behind Ety too but these isolate well. I’d have no trouble using these on a long flight, on the tube or where ever. As ever my warning to those not used to it, look where you’re going if you would like not to become a road stain. You will not hear that double decker bus that’s hurtling towards you.

Accessories: You get a rather nice little case that feel super sturdy and a bunch of tips. I really would like the see the inclusion of some Shure Olives (black foamie tips that look like olives) but that’s really all I can whinge about. Oh and you get a 6 to 3.5mm adapter and a variable attenuator. It’s a nice little bundle.





Value: Currently sitting at £84 these are maybe not the very best audio quality you can get for the money but they aren’t too far away either. You must also recognise that partly you are also paying for that big famous brand name and the certainties that come with it. You get a very high quality earphone with rather good sound quality and a very adept ability to turn its hand to a bit of everything. Particularly if you don’t have any specific tastes or requirements this generalisation makes it ever more appealing. Not everyone is a crazy person like I with a range of earphones to choose from. Normal people buy one and use it for everything. If that was me and my budget was £84 I don’t think I’d have any trouble opting for a set of these but the SE215 is really good too. It would depend on just what you’re after but either could suit you best. Still, hand on heart, I think the 215 might prove to be the more popular option. Actually I think if it was me it may come down to coin toss to decide.





Conclusion: I have never quite been the big fan of Westone. They have a sound that just has never really done it for me and in comparison I’ve always favoured the Shure house sound. Since in the last few years things have rather heated up in the earphone world and they have begun to get a bit more aggressive about things. Westone have their W range and Shure has the SE range, especially the lower end ones, particularly the SE215. The old 210 was often the entry point to their brand and it was not a well loved product to many. They went for something vastly more populist and came up with the 215. So why am I telling you about this? Well I think this is Westone’s version of the same. They have gone for a more populist sound but they have done it by tuning a BA to be more rounded and weighty sounding where as Shure went with a dynamic. Shure clearly pushed the idea further and Westone is a bit more reserved, I honestly can’t say which I like more. The W1 feels more like an in between product but is still is deep down a BA and in terms of clarity focus they excel in ways most dynamics cant hope to. This is pretty much the part where I just ramble back and forth about how but this one does this and that one does that. In short there are pro’s and con’s to the way each company has gone.


Looking more at the W1 on its own its a fab little IEM. It weirdly loves lots and lots of power though. The more and more I listen to it the more and more I like it, it’s really growing on me. Oh and if you like to make things go loud then you may love this. Its loves to given a bit of welly and let off that leash. It’s fun, enjoyable and from what I recall is one of the more even handed and balanced IEM’s. Clarity and detail is very nice but it’s not what you get it for. Others can do that better, this is no analytical monitor, it is a good quality, solidly capable IEM with some life injected into. It has a little enthusiastic heart beating in there that wants to make your music come to life and for you to enjoy it. In that mission I do think it rather succeeded as I find myself rather enjoying them and not really wanting to hand them back. Well done Westone.

Wednesday, 15 February 2012

Audioengine A2 Review



Audioengine A2 Review




Thanks to Advanced Headphones www.advancedheadphones.co.uk for the sample (AMP3’s sister site)




First Impressions: Well F me, these things are tiny. I knew they were small but it’s not until now it becomes apparent how small. It’s even more apparent next to their siblings. Given what I’ve read of their bass response I must say I’m concerned. Packaging was nice and what not but seems a little over kill for something so small, also slightly saddened by the external power supply. Erm, where is the volume control? No, that can’t be it, that dial on the back, no surely not. Who puts the volume control on the back? Oh that’s going to tick me off, I can tell.




First listen, which is right after hearing the A5+, okay its clear there is rather less low end but I like it. Actually I really like it. I really had fears about a giant mid bass hump but no. Okay a bit but I can live fine with it. God the mids sound so open in comparison. Can I be liking the little, half the price one more after only 10 minutes?









Set up: Computer to FiiO E9 and E7 combo feeding the line out into the A2.







Lows: Let’s not beat about the bush. These have little teeny drivers and we have all see the video on youtube that knocks the cards down with the bass. I must confess I expected these to be crap. I expected they had been tuned to squeeze stupid levels of mid bass out the poor little driver and I expected the ensuing chavtastic sound to grate on my nerves. I expected I would hate it. The reality is they don’t do that at all. Sure there is a bit of a hump but these pretty much just accept small means they move less air and will produce less bass. I love it. I love the honesty of it and it runs out I love how it sounds. These have just enough punch and expansion to let you know all that’s going on, for the most part. On “Your Father and I” they do begin to show what they can and can’t do but they cope just soooooooo much better than I thought they would. There was another song that escapes me now that they did rather just fail at as the lows were too low which I think is a good thing. Better to not try than mangle everything in the process and still fail. The bass does became a bit limited in tonal variance; it always feels a touch monotone. Clearly it can’t give you a bass dominant sound but the bass keeps up remarkably well. It’s rather fast too, unsurprising given the driver size but it’s about as fast a low end as you could hope for. Think quality and well manneredness rather than abundance though. While they spit out a good amount for the size these are not bass monsters, that said I have no desire to hook up a sub. I will offer the caveat that these I think are more primarily desktop speakers. If you want them to give up room filling scale then I could see a good case for adding a sub. Especially if you’re in an American size living room, here in the UK its less of an issue in the shoe boxes we live in.









Mids: Looking at other reviews of these I see much comment that they are coarse or grainy, I think I would sooner say they were a little dry. Sure this makes for a slightly more raspy sound but in this case it also makes for a much more open sound. They feel so much more open and expressive than the 5. What’s more, I can hear them! They are so clear and present no matter what else is going on the vocals still cut through everything. Love it, love it, love it. Okay I’m maybe loosing objectivity here but these are friggin’ awesome. This is about the most fun you’re ever going to ever have with a 2 inch anything. They do especially well with female vocals rather than a male, they just deal with higher better than lower frequencies. It’s not like they can’t do male, Mr Johnson still comes through beautifully but I could possibly argue he sounds a touch light. These do favour the dry vocal over the liquid but only a little bit. However it is probably more than many are used to. The Head-Fi crowd has more experience with balance than does the sort who has only ever heard the sort of Sony, Phillips or JVC HiFi’s they flog in the likes of Comet. They tend to have a very thick, heavy liquid set of vocals so this in comparison will seem very dry.




Quantity wise these have an almost Etymotic like balance mids are clear and centre stage but ever so slightly in the shadow of the treble. There is no way vocals’ are getting lost behind anything though.









Highs: If there was anywhere that coarseness could be an accusation thrown at it it’s here. There treble like that on the 5 its all about its crispy edge than it is about true accuracy or dealing well with delicate detail and shimmer. Okay so they went for a bit of a fun sound and let’s be honest, their target market won’t have the ears that I have. (If they did Beats wouldn’t sell anything) so yeah, crispy energetic enthusiasm. I feel that given its similarity to the 5 I should be bashing it a little but the mids are so much more prominent the highs don’t stick out so. They are as gritty and lacking in utter refinement but these are cheap little things. They do a stonkingly good job. The detail is pretty great if edgy. These aren’t really meant for detailed critical listening, they just happen to be about good enough that you can sit at your computer while you work and do so. It’s not perfect but it’s really good.







Soundstage: Coming right from the 5 these instantly sound small. They are small. They do sound bigger than you would expect though for their size. These cannot do room filling with scale and authority but I don’t think they are meant to. These being sat on my desk at arm’s length and they fill my horizon with ease. They can go loud of course, too loud. Loud to the point it just sounds stupid and ridiculous. It never takes on that room filling presence, maybe it would do so with a sub attached. Frankly I feel that’s not really what these are meant for, if they had a remote control for the volume then maybe.









Dynamics: These can rise and fall rather well for something so small but they don’t have the vast range that the 5 has. These want more to kept within a power range as when you ask them to go too loud they just sound loud and can be a touch impolite. These do a most impressive effort but they are still very small and I do somewhat feel the need to work the volume dial. They do make up for it somewhat with their terrific sense of enthusiasm. They like their siblings can run with the energy of a Jack Russell which thankfully are of a size you can either let them or reign them in with ease. Oodles of fun.




Power: Well not so much power, these little babies can’t move that much air and never take on the drama and presence as only can something the same size as you. These just don’t have that sort of power; they can do volume and loudness but not true power. As I said before these I feel are desktop speakers and they perform that role superbly. They are not going to fill Westminster Abbey.




Aesthetics: Okay so they are in white and I can’t say I’m loving that. The only other white things I have have all been relegated to the kitchen (why I ever bought white speakers and a white computer I don’t know.) Other than that, what’s not to love. The things are tiny, I mean friggin’ tiny. They seem to have a different gloss to the 5’s and the edges are less rounded. They seem if anything whiter than the 5. If they weren’t so white they would basically melt away on my desk.












Build and Durability: These feel very solid and to the eye seem very well finished. Much like the 5 the only think I feel in can raise as an issue is the lack of grills but Audioengine say you don’t need one. The woofer is Kevlar so you probably don’t “need” one but personally I’d just feel happier with one. Still I’ve never heard of anyone breaking them so it’s probably not really an issue. I’d just feel more comfortable.







Value: Excellent. Not only do I love how these sound they are so small yet so impressive sounding. As a pair of desktop speakers these, to many, are probably thought of as very expensive, you know the £20 creative things buying segment. Or if you’re spending it’s so you can get a big ass sub to make games roar and explode. That is not what these are, these are serious proper grown up speakers. These are impressively good and mature sounding, they just happen to belong either side of a computer. These are for people who want something good and desk space demands it must be small. That they don’t need an amp taking up yet more desk space is just icing on the cake. These are stunning value in that situation. Just be sure that’s what you’re after. These can go loud and they can rail enthusiastically and throw down at party time if that’s what you want. If you want the room shaking bass that the 5 or things with a sub offer then that’s not really the A2. The A2 can go wild but it really deserves to offered more beautiful things.












Conclusion: I really like these. I really honestly expected not to given what I had read of them, oh and the card video on YouTube. I thought oh god they are going to be so chavtastic they will drive me insane. They can go there if you want to EQ the hell out of them but naturally these are quite beautifully tuned. As I sit here with Tori Amos’s new album (which btw music industry, should not have been cheaper for me to buy from the US and ship halfway round the planet than to buy it in the UK) and those familiar with the woman will now what to expect. Her a piano and lots of rising and falling. Everything sounds fantastic, so clear such great separation that these have been nothing but a pleasure to hear. Everything I’ve heard on them I have pretty much loved. From the slow and mellow to the youthful exuberance of the Busted CD I recently bought (don’t ask) and that’s a fantastic versatility. I honestly think I could have these as the only speakers in the room and I’d be happy with them. Okay maybe I would need a sub to give them greater scale, maybe. These are just so versatile and accomplished at everything I’m super impressed. I don’t want to give these back.




These are however what they are and they are small. These are desktop speakers. If nothing else than the sodding volume control being hidden on the back means you’re meant to use your source, i.e. computer to do so. These aren’t going to be used as your HiFi it would just be an awkward pain in the behind. I’m not saying you couldn’t just that you won’t buy them with that intention. You’ll buy them for your desk. Now in that role they excel, they offer a real grown up taste of quality and by god I like it.




I just really wish it had a remote and volume control on the front.

Audioengine A5+ Quick Review


Audioengine A5+ Quick Review


Thanks to Advanced Headphones www.advancedheadphones.co.uk for the sample (AMP3’s sister site)

Brief:  Powerful, powered party speakers.

Price: £288

Specification: Type: 2.0 powered (active) bookshelf-style speaker system, Power Output: 150W peak power total (50W RMS / 75W peak per channel), AES Inputs: 1/8" (3.5mm) stereo mini-jack, RCA L/R Outputs: RCA L/R audio (full-range, adjustable), USB Type A (power/charging) Voltages: 115/240V, 50/60Hz manually switchable, Amplifier Type: Dual Class AB monolithic, Drivers: 5" Kevlar woofers, 20mm silk dome tweeters, Signal-to-noise: >95dB (typical A-weighted) THD: <0.05% at all power settings, Crosstalk: <50db, Frequency response: 50Hz-22kHz +/-1.5dB, Input impedance: 10K ohms unbalanced Protection: Protection: Output current limiting, thermal over-temperature, power on/off transient protection, replaceable external main fuse, Dimensions (each speaker HWD): 10.75" (27cm) x 7" (18cm) x 7.75" (20cm) Weight (LEFT speaker): 15.4 lbs (7 kg) Weight (RIGHT speaker): 9.6 lbs (4.4 kg)

Accessories:  Included Accessories: (1) Remote control
(1) Speaker wire (16AWG), 3.75 meters (~12.3ft)
(1) Detachable power cord
(1) Mini-jack audio cable, 2 meters (~6.5ft)
(1) RCA to RCA audio cable, 2 meters (~6.5ft)
(2) Cloth speaker bag
(1) Cloth cable bag
(1) Setup Guide
(1) Product line brochure

Build Quality:  Solid, weighty and feel very well constructed.

Aesthetics:  Colour choice is up to you but they look a quality piece of equipment.  The finish on them it top notch if you like that gloss look.  The minimal use of cables too is a visual boon.

Sound:  Party party , party.  That’s how these speakers are tuned and it’s what they want to do all the time.  I found it rather annoying as most of the time my music listening is while I work and these just got on my nerves.  I didn’t want to crank the volume and dance I wanted a nice, smooth gentle sound and these don’t do that.  They are boisterous and rambunctious.  The bass is fast, hard hitting and punchy.  I want softer and more relaxed.  These would roar and slap you in the face for attention.  The mids in comparison while good were a bit too liquid and they got lost in the melee.  In vocal heavy songs this really frustrated me.  The highs were decent but tuned to be crispy and playful rather than accurate and delicate.  They got on my nerves with the exuberance.  These are really rather V shaped and in a party machine that’s great, it’s probably just what you want but I don’t want that, i want something more grown up and mature sounding.  While I can’t deny these are very capable they are tuned to live in an 18 year olds room not mine.

Value:  Good speaker and amp with a remote, you want this much this good for less i don’t believe.

Pro’s:  Super minimalist, massive power, party machine par excellence

Con’s:  Party sound whether you want to party or not. Too excitable. 

Audioengine A5+ Review





Audioengine A5+ Review


Thanks to Advanced Headphones www.advancedheadphones.co.uk for the sample (AMP3’s sister site)








First impressions: Okay, next to the A2 there things are friggin’ huge. Not sure I’m loving the in white look but if id paid money for them are you may or may not then you only get white if you want it. I’m not sure I’m loving the off centre tweeter, I know many do it but I just don’t like that. What I do like is the packaging, it’s a nice touch to have everything in little bags but as a friend pointed out “so why didn’t they put the plug in one too?” I suspect it’s because it’s a UK plug, not that it matters but why not it? All the cables and such are in there which is a very nice touch. I think an all in one solution should be just that and there is nothing worse than not having that cable you need when you buy a new toy.




First listening and its not really doing it for me. Granted these are literally fresh out of the box so nothing is definitive. However I’m not sure I like how these are tuned. Seeing as Audioengine suggested giving them 50 hours to open up I guess I’d better get started.












Set up: Computer to FiiO E9 and E7 combo feeding the line out into the A5+.




Lows: Hmm, not to my tastes. I really don’t know why these have been tuned how they have as it seem unnecessary to me, they have a big bombastic low end and frankly it gets in my way. It’s a big hump of punch and rambunctiousness that just constantly wants to go wild. It’s like a teenage dog (in dog years) that pretty much fully grow, yet has so much boundless enthusiasm that it cannot stop from pulling on the lead. It yearns to go run and play. It’s cute on a dog on a speaker it’s not. Granted I’m a bit of a boring old fart and I tend to prefer music that’s a little bit boring. I don’t want a party beast blasting out Lady whomever, Christina what’s her face or that Perrier woman. It loves to take pre-eminence and it shouldn’t. Frankly it really annoys me.




You’ll notice I haven’t said anything fit quality yet. Now given I dislike how it’s tuned and behaves, if I can set that aside the technical abilities of it are reasonable. There is little softness or bass bleed. It likes to hit hard and move quickly so that ability deserves praise but it’s not a flavour I want. I can’t help myself, but it’s just all party bass. Every song it plays its wants to do with party levels of exuberance and I’m sorry but for lots of music it’s just wrong.









Mids: Meh. They are good when you can hear them but they clearly are in third place in a 3 way race. Thos familiar with my stuff will know I love mids, I feel its where all the most important stuff takes place. Bands don’t stick the drummer at the front of the stage now do they? Vocals here are acceptably good and they never get entirely lost but they sit behind the lows and highs. I know many love a big V shaped sound signature but I cannot find the love for it. If I was back being 18, in Halls and wanting to party every night then hell yeah! That V shaped sound is just what you want. I know I shouldn’t be judging it as an audiophile product as it not but I am and it is hard to be utterly objective on such a subjective subject.




Tonally they a touch on the liquid and warm side. Male vocals in particular seem to get a little boost in the low end that they really should not. Nothing awful but shouldn’t be there. Girly vocals do better. Warmed and softened a touch, not so good though at airy and breathy stuff.









Highs: Crispy. Shimmer and shine these don’t do so well but they really aim more a sparkle and dazzle approach. The highs cut through crisply and cleanly and it gives a great dramatic impression. As I said previously with these speakers its party time all the time. Detail retrieval is pretty good but that crisp edge dominates and overshadows things in a way I don’t like. It feels like a stage magician; look over here not over there. Again there isn’t really anything I’m going to say is bad, these are just coloured to a point some things work well and some doesn’t. For the money I can’t fault their treble ability but as I’ve said with much else, if you can’t nail it then maybe you better to dial it down rather than make you short comings readily apparent.







Soundstage: Here they do rather well, the bigger a speaker the bigger it usually sounds. These are big enough to sound impressively room filling. These in that sense are proper stereo speakers rather than “desktop” speakers like their siblings are. If I was so inclined I’d have no problem with these being the rooms only audio outlet. Still they are rear ported so remember that means even though they may get called bookshelf speakers you cannot put them on a book shelf. They need at least 12 inches of air behind them.









Dynamics: These have no problems whatsoever in rising and falling with aplomb. In fact I’d say they thrive on it, they love soaring and roaring with the most dramatic sense of urgency. Is it fun? Oh hell yes. Do I like it? No. They like much of the rest of the sound of them are all energy and enthusiasm. That sort of thing does definitely have a place in the world but that place is not in my home. Still if you give these a bit of welly then they have a grand dynamic range.




Power: These are clearly built for American homes. These can go stupid loud with stupid ease. Actually not only can they go load, they yearn to. Like a greyhound that longs to given an open field and allowed to go for it. These have too much power bottled up inside them that it just constantly wants to burst forth and I find it somewhat annoying. I don’t want a greyhound I want a Jack Russell, happy to sleep all day on the sofa yet capable of incredible energy when it’s appropriate. These need a big space and if I’m honest, living in a detached house.









Aesthetics: Right off all I can comment on is the white ones. Now I don’t know anyone who actually has a home that these would look appropriate in, sure many way love the Apple esq white minimalism thing but who actually has that? Still if you want white that’s your business. I can’t deny the finish on them is very nice and visually I can see not the slightest imperfection anywhere. What’s nice is they don’t leave fingerprints so there should be no trouble maintaining their prettiness. Could be good for their potential student Hall’s life?




Build and Durability: Okay these are solid, weighty beasts, super solidly constructed. Their weight suggests you have an item of substance here. I cannot actually fault anything as a mistake of construction. However what gives me pause is the no grill up front. The FAQ on their site declares the woofers are hardy and tough, Kevlar don’t you know, so you don’t need one. Well maybe I don’t “need” one but I would rather it my choice. Otherwise it’s all great and I’m sure they will cope well with the rigors of student parties.









Value: Well it seems to me that these are often placed in the category of ipod dock rather than anything else. These really aren’t an ipod dock, for a start they have nowhere to put one, sure there is the usb charging socket so you could very cheaply use one. This is something more versatile. It’s a good set of computer speakers too, let’s face it there is no one in the western world who doesn’t have a computer, add this and boom you have an instant HiFi. A pretty much proper HiFi too, sure it’s aimed at a certain market but you could have this as your desktop speakers as much as you could have this as your full stereo. Add in a CD player and there you go, grown up HiFi. No reason why you couldn’t have it hooked into your TV’s audio out. All flat screen thin TV’s have god awful sound and these could be used to turn it into something very capable. Sure it’s not 5.1 but many don’t want the clutter or cables for that. That we have a super versatile little set up is undeniable. For that alone I’d be inclined to pick this over any dedicated ipod dock like the rCube or Zepplin. They have basically one use and no stereo separation. That these cost £288 to me seems rather a bit of a bargain. They are extremely versatile in the potential applications and have a power and ability that would shame any £300 stereo you’ll find on the high street. You could do much worse than buying a pair of these. Pretty damn good value if you ask me.




Oh and the included remote control is super handy.












Conclusion: So, I’ve just said how I think these are good value, would I buy one? No. Would I want one? No. I like a grown up, more sedate sound especially from a speaker and these just want to have party time. They are filled with energy, power and a boundless enthusiasm, screaming at you, goading you to crank the volume dial. I don’t want that. So there is no mistaking that these and I did not get along well and I found myself skipping songs left, right and centre because they just didn’t work for me. A friend who was round yesterday however found their sound to be just his cup of tea, he is so much more fun than I am, he goes out clubbing on a very regular basis where I go once a quarter if I truly must. I wanted the A5+ to be a grown up, mature sound that would be happy to anything I asked of it. A desktop speaker to let me sit and work with some Norah playing softly. No. These just can’t do that sort of music, they really rather have a bit of a vacancy in the midrange and what I hear constantly is the music not the vocals. I want the vocals. They also really don’t do slow, they just forever want to go faster, punchier more dynamasism, and more volume too.




No matter what I listened to I never felt like bursting into song and that’s not me. It’s what I like about speakers and these just frustrated and annoyed me. Frankly I wanted something grown up and these are 18 year olds. Party, party, party. If that sounds like a bit of something you’re interested in then you will probably love these and I do think they would make the perfect student system. It’s versatile, solid, dynamic and dramatically awesome in every sense. Just don’t ask it to do mellow and boring, it can’t.