Thursday 19 December 2013

JAYS a-JAYS Five Review

JAYS a-JAYS Five Review

Thanks to JAYS for the sample.



First Impressions:  Oh my god, I think there must be an abundance of stylist/engineers over in Sweden.  The packaging on these this are what I’ve come to expect from JAYS, by that I mean freaking amazing.  Oh god I hate you, it’s all just so perfectly put together!!!  Jesus Christ just take a look at the case they come with, oh my god!!!!!  JAYS you show up everyone else when it comes to that ever so Swedish stylised yet so elegantly functional look.  Not that I actually like the flat cable I see but I can’t deny how good it all looks.  Lol just omg that case!!!  You people have too many engineers.

So shoving the little beasts in my ears and I am pleasantly surprised.  I thought the previous a-JAYS were all big bass, warm and a bit soft.  These sound nothing like that.  I don’t get how Jays are naming things anymore.  These are nothing like what I’ve heard from them recently, way more balanced sounding and clearer, I like.



Source: Nexus 4, Nexus 5 FiiO E7/E9 combo and Hisoundaudio Studio V 3rd anv.

Lows:  So you know how I mentioned these lack the bass of their namesakes; well they lack their soft and very warm nature.  That’s not a bad thing at all.  The bass here is actually very nice to behold.  It’s still a fraction on the warm and gentle but is so much taughter than its siblings.  The tonality is very nice too, with that tiny bit of warmth softening the egdes and no further.  Rather like a concrete floor with a nice carpet on it.  That layer of smooth, soft and luxuriating outer then just rock solid underneath.  It got a reasonable amount of potency too but again it’s not anything more than a hint in that direction.  It’s really all quite balanced and very middling in its behaviours.  Think balance, every attribute is good but it never pulls anything overly in any one direction.  Depth though could be a fraction better but I’m nit picking.

Quantity wise it’s a rather above even which is fantastic to see.  So many things aimed at the headset market are flabby bass cannons.  While these can go big when called upon to they don’t subject you an avalanche of messy and muddy lows.  The quality of these is more prominent than their quantity.  Still its rather oversized and in no way could be mistaken for the bass quantity being balanced, its really rather heavy.



Mids:  Vocally these like to harken back to their a-JAYS roots and go warm and more thick.  Thankfully it’s not overly so and the result is you get a lovely rich sound.  The air is a touch sucked out of things in comparison to things like the MA750.  If your after open, airy and floating vocals then the Five isn’t maybe the one.  I must confess I very much like it though, I do like a bit a girly and a piano strumming away and girly vocals sound rather lovely.  I might rather they were a bit more prominent as I find them to be a bit behind the bass and the highs.  Its only a slight V shape but its there.

Detail levels are nice, not great but you trade a little detail for that organic tone these have.  It’s not far from that Sony esq and very popular in the East sound where warm and organic are the order of the day.  Personally I’d rather it were a little more dry and open but they does play nice with devices that use more cold and dry sounding internals.



Highs:  Not an area where these shine but you’d probably be surprised if they did.  I’m sure you’ve picked up on that these have a fairly warm and “organic” sound to them.  Highs therefor a touch muted and softening.  This way not appeal to detail junkies but if you’re using not the greatest musical source or the very highest bit rates you’ll find these rather forgiving.  Lower bitrate MP3’s in particular really start to break up and get harsh in the highs.  These go a long way to make that much less offensive.  It still has the energy to make the like of Owl City’s very treble happy tracks sound fast and alive though.
Of course I went straight to the complys so that will have tamed the treble a touch too.



Soundstage:  Being a dynamic they have a good fullness to them.  Placement isn’t wildly pronounced but they offer a good sense of power and scale.  Width and depth are pretty reasonable too.

Fit:  Well these clearly would rather be worn down but did also work worn up for me.  With the silicon tips though they sat so shallow I didn’t find they kept a seal all the time.  With the foam tips that wasn’t an issue. 



Comfort:  Just fine, no issues.

Cable:  Well the cable is super pretty, it really is so nice to the eye and the hand.  However it’s a flat cable and worn down I just found they tugged at my ear because flat cables only bend in one direction.  I just don’t like flat cables.  Quality of it is very nice though.



Build:  JAYS really know how to put things together, the packaging, the IEM’s, the case!  All of them are things that you can tell have had some thought put into them.  Everything is plastic but it’s that rather tactile matte touch plastic.  Simply put the build quality is just lovely.

Microphonics:  Worn up none.  Worn down as they really are intended I got loads and there is no neck cinch to assist.  Again, I don’t like flat cables.



Phone Use:  They seemed a touch fussy on the Nexus 4, they had to be firmly inserted to work properly.  On the Nexus 5 they were just fine and seemed more comfortable.  Actually it all worked perfectly on the 5, volume buttons too! I couldn’t say the same for the N4.  What was really nice though I only just noticed is that if you hold the play/pause/skip button for a few seconds google now pops up.  Yes indeed that means you can leave your phone in your pocket and just ask it the time.

Amped/Unamped:  These didn’t seem to particularly love getting more power thrown at them.  The bass grew a bit but that’s not a big surprise.  They did like the N5 rather more acoustically than they did the warm FiiO combo.  Unsurprisingly these like pairing with a colder DAP which would be pretty common in phones which is what they are aimed at.



Isolation:  It’s a dynamic, it’s pretty closed so they do isolate reasonably well.  As I oft say, it’s fine for normal day to day usage but not I’d think the sort of thing for a daily Tube commute or long flight.  Naturally its still quite sufficient to drown out that bus that’s hurtling towards you that if you don’t look where you’re going the first you know of it will be it impacting your skull.


Accessories:  I have seen bigger selections but you are not likely to find prettier ones.  You get the standard assortment of tips (five pairs in this case) a shirt clip and that case.  It may just be plastic but I adore it visually.  Matte black plastic so effortlessly clean and elegant visually.  Personally I’d loose the cable wrap thing that comes inside but that’s up to you as it’s removable. 



Value:  Priced at £80, Euro 90, US$100 or SEK795 they have some pretty stiff competition.  So are these better sounding than a pair of RE-400’s?  No, they are not.  These aren’t trying to be the best sounding IEM’s ever though, they are aiming for a warm and rich sound and to pair up with your phone.  So much so there are three versions of the thing, one for Android (what I have here) one for Ios and lastly one for Windows phone.  Now I have no idea what the differences are between them so don’t ask.  If you, like many, have an Android (or I guess Windows too) phone then its nice to actually see volume controls included as so often makers just don’t bother to add the controls.  Now I change the volume a lot, you can’t do that with a touch screen in your pocket but now here you get a button.  So for me this would make using my phone as a source a possibility.  I can’t imagine I’m the only person out there who is thinking that.




Conclusion:  When I say JAYS tweeting about how well these went with the Nexus 5 I thought, care to test that?  Turns out they do play rather nicely together.  I can’t help but think that if google did a “Google store” in the way apple does a store then these would be one of the stocked and “approved” IEM’s sitting on the stand next to the Nexus 5.  They visually go well together, both have that same matte plastic, the controls work, yes even the volume and google now.  Then acoustically their pair up rather well too.  It is rather like they were made for each other and perhaps they were.  Isn’t that after all the aim of the Android, Windows and Ios versions of the Five’s?

The down side of all the attributes found in the Five is that it’s not the very best sound you’ll find at this price point.  However I fully realise that these are not an IEM destined to be paired with a single function source and by those that care about sound quality with all other considerations thrown out.  This is not a purist’s product, it’s not aimed at true audiophiles and so it compromises acoustically.  Being somewhat of an audiophile it’s hard to not mark it down for things it doesn’t do I want an IEM to do.

I am not the person that uses their phone to listen to music.  My phone has a meh dac and amp, its touchscreen, its battery would melt the way I use things and it’s got hardly any storage.  Oh god shock of horrors, I’d have to stream music!!!!  Google music only ever uses a max of 320k MP3’s so that’s an absolute ceiling.  I personally balk at all these things but I recognise I am not everyone.  Many friends do use their phone for music, they do just stream it be it Spotify or Google music.  They have no problem with it being touch screen and they have no issue with it slaughtering the battery.  Some of them though at my prodding do care a bit about the audio quality, they know that the buds that come a phone aren’t good and you can buy things that improve things lots.  It is to these people the a-JAYS Five is aimed. And I think it caters to their needs and wants pretty well.

The sound produced by these is good, they look quite wonderful and they cater to every one of these people that doesn’t use an Iphone.  That’s what 85% or so of smartphone sales?  Right now if you have a Windows phone or an Android phone you’re really limited in your offerings that come with a volume control, I think that it just happens to look so premium and sound rather good is icing in the cake.  Then to slap a cherry on there, there is an app that allows you to user define the button controls and actions.  I don’t know of anyone else that has so catered to the Android and Windows markets.  I find myself rather thinking if someone just bought and Nexus 5 and they use it for music then these would make a rather nice Christmas present.  They are a rather lovely all round package.

a-JAYS Five Quick Review

a-JAYS Five Quick Review

Thanks to JAYS for the sample.

Brief:  JAYS notice that there are phones not made by Apple.

Price:  £80, Euro 90, US$100 or SEK795

Specification:  Remote: Full feature Android remote, Driver: JAYS custom A5, Isolation: -40 dB @ 2 kHz, Sensitivity: 96 dB SPL @ 1 kHz, Impedance: 16 Ohm, Freq. resp.: 18 - 23 000 Hz, Microphone: MEMS Technology, Cable length:115 cm (45 in), Plug: 3.5 mm L-shaped (1/8 in)

Accessories:  5 pairs of tips, a shirt clip and a superb case.

Build Quality:  Excellent.  All matte plastic that is visually flawless.

Isolation:  Rather good for a dynamic but nothing exceptional.  As ever it’s still easily sufficient to turn you into a road stain if you aren’t looking where you’re going.  Not one for a long flight probably though.

Comfort/Fit:  Despite them clearly wanting to be worn down they were fine.  Really rather microphonic worn down though.

Aesthetics:  These I think are very nice looking.  All matte black (they do a white version too btw) they just look so premium.

Sound:  Good.  These are not the most exquisitely beautiful sounding IEM’s you’ll find but they do a pretty good job.  Acoustically they are rather more balanced than a-JAYS of old but they still have a rather warm and bass heavy sound.  It’s a popular sound signature too and it pairs nicely with cooler digital amps.  The sort you are likely to find in most phones along with not the most powerful amps in them too.  It’s made with phones in mind and this version is specifically looking at Android phones.  (They do an Ios and Windows version of these too.)  You’re not going to be feeding them 24/192k files anyway and your much more likely feeding them some middling bitrate MP3 with brittle and broken highs that these do a nice of job of being highly forgiving to.  The warm “organic” sound is easy on the ear.  The bass is pretty big on these so it should be a winner with those that like that sort, it’s not “Beats” comedy levels though.  Big, warm, with a bit of bounce.  Great for poppy stuff that Spotify likes to suggest you play and with the inline controls, including volume controls you can raise, lower, or skip to your hearts content.  Oh and you can even get an app from Jay’s that lets you customise what the buttons do.  One word of caution, not all androids play nice with the controls, older things don’t stick to the standard used and as I found the N4 is one of these.  All worked perfectly on my Nexus 5 though.

Value:  You pay a bit of a premium for how pretty these are, how nicely put together they are and that these have a real party trick.  Those android phone controls.  As an all-round package its very vice with a so far very rare ability that I’d think would be very welcomed by those who listen to music on their phone. 

Pro’s:   Beautiful, build quality, Android controls! (and windows and Ios in the other versions)

Con’s:  Tad over bassy, you pay for those controls and looks.

Sunday 8 December 2013

TDK IE800 Quick Review

TDK IE800 Quick Review



Brief:  The cassette tape people do a dual dynamic IEM.

Price:  £57 at present but RRP £99

Specification:  Plug Type: 3.5mm gold-plated, Drive: 8mm + 5.8mm, Driver Type: Dual Dynamic, Frequency Response: 20Hz to 20,000 Hz, Sensitivity: 116bD / V, Impedance: 10 ohms @ 1kHz, Cord Length: 1.3m (4.2m)

Accessories:  Some tips and a nylon baggy.  All nothing over fancy.  A pair of Comply’s too and I’d suggest using them for treble softening.

Build Quality:  Well visually the buds look well-constructed but the cable feels very thin and flimsy. 

Isolation:  So so.  They are reasonable for a dynamic, good enough for normal out and about, on a bus etc etc. usage.  Not really one for a flight or Tube use.  Still sufficient to get you run over of course if you don’t look where you’re going.

Comfort/Fit:  Well these are clearly meant to be worn down but I hate that so I wore them up, it did sort of work too but you look stupid doing so.  Comfort worn up or down was good as they weigh nothing at all.  Fit was just a case of sticking in my ears and done.

Aesthetics:   You look stupid wearing them up but the beds themselves look nice.  I like the matte plastic look, it’s a change from glossy things.



Sound:  TREBLE!!!!!!!! There is no way to sugercoat this; they are simply all about the treble.  I assume that’s because they have a dual dynamic setup and to counter the expectation of being massively bass heavy they have swung rather the other way.  It’s a shame because the lows and mids are super good at their current price.  Bass is deep controlled and articulate.   Mids are clean, airy and nuanced.  Details levels the both are great too.  then you get the treble and while accomplished, my god there too much of it, it’s too energetic and exhausting.  My poor little ears can’t take it.  Oh god make it stop!  I found much track skipping occurred because the treble is just so over abundant and ear ravaging.  A real shame as its quality is good but the balance is much too high end focused.  Treble junkies though are sure to have found a new love. Its shame because I really liked the clarity of the mids and bass, both are most impressively quick and accurate for a dynamic, should these be retuned or heavily EQ’d they are really impressive.  However  I am quite treble sensitive and these are simply beyond what my ears can tolerate for any length of time.

Value:  Even at their RRP I I’d like these, with the massive caveat of you have to be happy with masses of treble.  Of maybe if you are a more mature person and haven’t the same treble sensitivity you once had these could be perfect.

Pro’s:   Superb quality and articulation.

Con’s:  The treble will make your ears bleed.